“From Warhol to Steve McQueen: a history of video art in 30 works.” In The Guardian, London, October 17-23, 2020, p 10-14.

“Shen Wei, Passion Spirit.” In Shen Wei: Painting in Motion. Boston, Isabella Stewart Gardner Museum, 2020. 72-74.

“Listen to This! Sound Art Reflections.” In Flash Art. No. 331, fall 2020, 82-96.

“What’s Technology Got to Do with It?” In Martin Margulies Collection 2. Bologna: Damiani, 2019. 

“Buying Time.” In I Have a Friend Who Knows Someone Who Bought a Video Once: On Collecting Video Art, 10–22. Milan: Mousse, 2016. 

“Shigeko Kubota: Media Maverick.” Millennium Film Journal 63 (Spring 2016): 85–86.

“Art of Today.” In Come and See–Mario von Kelterborn Collection. Bremen: Museum Weserburg, 2014. 

Soundings: A Contemporary Score. New York: The Museum of Modern Art, 2013.

“China: Then and Now.” Yishu Magazine 11, no. 3 (May/June 2012): 13–29.

“From Video to Intermedia: A Personal History.” In Modern Women. New York: The Museum of Modern Art, 2010. 

“Out on the Edge.” In Net Pioneers. Linz, Austria: Ludwig Boltzmann Institute Media.Art. Research, 2010.

 “Do-It-Yourself.” In The Record: Contemporary Art and Vinyl. Durham, NC: The Nasher Museum of Art, 2010.

“Minimal Music Gave Us Maximal Video.” ArtForum XLVII, no. 7 (March 2009): 203–209.

 “Broken Mirror.” In Song Dong. Shanghai: Zendai Museum of Contemporary Art, 2008.

“In Context.” In Sam Taylor Wood. Cleveland: Museum of Contemporary Art, 2008.

“Hiroshi Sunari: White Elephant.” In Making a Home: Contemporary Japanese Artists in New York. New York: Japan Society, 2007.

“Teiji Furuhashi and His Legacy.” Art Asia Pacific, no. 51 (Winter 2007): 92–97.

“New Forms.” In India: Public Places/Private Space. Newark, NJ: The Newark Museum, 2007.

“Rafael Lozano-Hemmer and Social Simulation.” In Some Things Happen More Often than All of the Time. Mexico City: Mexico Pavilion, Venice Biennial 52, 2007.

“Best of_2006 Film, Barbara London.” Artforum, vol 45, issue 4, 2006.

“The Nature of Secrets—The Secrets of Nature.” In Jim Sanborn: Atomic Time. Washington, DC: The Corcoran Museum, 2003.

“James Putnam and Barbara London in Conversation.” In The Producers: Contemporary Curators in Conversation 5, edited by Susan Hiller and Sarah Gateshead, 85–129. University of Newcastle upon Tyne, 2002. 

“12/2000. In foci: interviews with ten international curators, edited by Carolee Thea, 112-123. New York: Apex Art CuratorialProgram, 2001.

“For the Love of Scan Lines.” In The Search for Personal Vision in Broadcast TV. Milwaukee: The Haggerty Museum, 2001.

 “Chinese Tradition in a Jogging Suit.” In Asia Pacific Triennial of Contemporary Art 3. Brisbane: Queensland Art Gallery, 1999. 

Projects 62: Steve McQueen. TheMuseum of Modern Art, New York, 1997.

Projects 57: Bul Lee, Chie Matsui. TheMuseum of Modern Art, 1997.

“Non-Personal Computer Art.” In Lyon Biennial. Lyon: Musée d’Art Contemporain, 1995.

“Time as Medium: Five Artists’ Video Installations.” Leonardo 28, no. 5 (1995): 423–26.

Video Spaces: Eight Installations. New York: The Museum of Modern Art, 1995.

Projects 47: Luc Courchesne. TheMuseum of Modern Art, New York, 1994.1994

“Experimental Film and Video.” In Japanese Art after 1945: Scream Against the Sky. New York: Harry N. Abrams, 1994

“Visionary Transformations.” In Uncertain Monuments: Barbara Steinman. Regina: Mackenzie Art Gallery, 1993.

“Electronic Explorations.” Art in America 80, no. 5 (May 1992): 120–28, 157.

“Video Letter by Shuntaro Tanikawa and Shuji Terayama: An Introduction.” Camera Obscura, no. 24 (September 1991): 195–203.

Bill Viola. New York: The Museum of Modern Art, 1988.

Projects 2: Judith Barry. The Museum of Modern Art, New York, 1986.

“Video: Past/ Present/Future.” In Video by Artists 2. Toronto: Art Metropole, 1986.

“Striking a Responsive Chord.” In The Second Link: Viewpoints on Video in the Eighties. Banff: Banff Art Centre, 1983.

“Video in the Land That Practically Invented It.” Artnews 80, no. 7 (September 1981): 90–91. 

“Video at The Museum of Modern Art.” In The New Television, edited by Douglas Davis and Allison Simmons. Cambridge, MIT Press, 1977. 118-121.

Video from Tokyo to Fukui and Kyoto. New York: The Museum of Modern Art, 1979.