Barbara London is a New York-based curator and writer, who founded the video-media exhibition and collection programs at The Museum of Modern Art, where she worked between 1973 and 2013. Her current projects include the book Video Art/The First Fifty Years (Phaidon: 2020), and the exhibition “Seeing Sound” (Independent Curators International, 2020-2024.)
London’s writing has appeared in numerous catalogs and publications, including ArtForum, Yishu, Leonardo, Art Asia Pacific, Art in America, and Modern Painter. London organized one-person shows with such media mavericks as Laurie Anderson, Peter Campus, Teiji Furuhashi, Gary Hill, Joan Jonas, Shigeko Kubota, Nam June Paik, Song Dong, Steina Vasulka, Bill Viola, and Zhang Peili. Her thematic exhibitions at MoMA included Soundings: A Contemporary Score (2013); Looking at Music (2009); Video Spaces (1995); Music Video: the Industry and Its Fringes (1985); and Video from Tokyo to Fukui and Kyoto (1979). She was the first to integrate the Internet as part of curatorial practice, with Stir-fry (1994); Internyet (1998); and dot.jp. (1999.)
London teaches in the Sound Art Department, Columbia University, and previously taught in the Graduate Art Department, Yale, 2014-2019. Her honors include: Getty Research Institute scholar, 2016; the Courage Award, Eyebeam, 2016; Gertrude Contemporary Residency, Melbourne, 2012; Dora Maar House Residency, Menerbes, 2010; a CEC Artslink award in Poland, 2003; a Japanese government Bunkacho Fellowship, 1992-93; and a National Endowment for the Arts Fellowship, 1988-89.